Press Conference 25th April 2018 at the Fajr International Film Festival, (FIFF),Tehran, Iran.
(Festival Director, respected Iranian film maker Reza Mirkarimi.)
Report by Cynthia Webb (Tehran, Iran)
Media from Iran, from nearby countries, and even from Agence France Presse, attended this very interesting Press Conference, with a man who is certainly not a typical American film-maker, however he is a very famous one. His films have won several Oscars, and he has always had an interest in “the other side of the story” which is demonstrated by his documentaries as well as the feature films. His documentaries include interviews with Arafat,Castro, Chavez, Netanyahu, and Putin, and the ten episode series: The Untold History of the United States of America, made with a prominent historian, which is riveting viewing.
Mr Stone came to Iran a few days early, and visited, Kashan and Esfahan before coming to the FIFF for workshops with film students and the press conference. Apparently he is the first big name American film-maker to ever attend this festival. As for the Fajr International Film Festival, he mentioned that it was a great opportunity for inter-dialogue between film-makers and other people.
He said it is his first time to come to Iran, and that he has met the warmest of hosts, and smiles. He added that movies speak any language.
Mr Stone explained that he had seen between 12-24 Iranian films, amongst thousands from many other countries. At this Film Festival he has watched about ten films, and was particularly impressed by those from Central Asia, Russia and even Germany too. It is a more relaxed festival for him, because he’s not presenting a film of his own.
When asked why he accepted the invitation to come to Iran, Oliver Stone replied ,“ The history and culture. Persia has been on the map for two and a half thousand years. I was always interested in Iran but I have been very busy. However, this Festival is at the right time for me, and my son and my South Korean wife have urged me to come. I am having a wonderful time.”
As for Iranian films, Mr Stone that when he was on the Jury of a Film Festival in Bhutan, he saw many interesting Asian films, and “Blockage” from Iran was one of the co-winners . It was a very honest film, about corruption, even in everyday small problems. The main character was a policeman, and there seemed to be no shame about the corruption. The film was absorbing to watch and the Jury all loved that film. It happens everywhere to some extent.”
In recent years, Mr Stone has made a lot of documentaries: “The Untold History of the USA”, The Putin Interviews, and also films about Fidel Castro, Hugo Chavez, Arafat, Benjamin Netanyahu. He said he is finding it refreshing to get back to reality, and talk to real leaders. When asked if he had any plan to make a film about an Iranian leader, he mentioned that he did not.
Another question came about if he had considered making a film about the activities of ISIS, affecting some countries in the region. He said “That’s a very good idea! Write a treatment and we’ll pitch it!” He was smiling, and then added that actually the world is very political, including the world of cinema and there’d be little chance of him getting the money for such a project.
“You can do it honestly, here in Iran,” he added.
Deborah Young from “The Hollywood Report” asked his opinion of the situation regarding famous Iranian director, Jafar Panahi. Mr Panahi has a film in the upcoming Cannes Film Festival, as does another Iranian, Asghar Panahi. It appears that Mr Panahi cannot attend, as his passport is still revoked.
Mr Stone did not know the full details and said that if Mr Panahi had made quite a few films, then that is an achievement in itself, and that he is personally against all ‘detention’.
(note) Mr Panahi was arrested, forbidden from making films for 25 years, passport revoked, and he was under house arrest for a long time. This was because of his outspoken comments in the street demonstrations after an election in Iran, in 2009. He also had a history of making films critical of the Iranian regime, particularly with regard to women’s rights.
Asked what he thought of Iranian films, Mr Stone said that a few were very good, and continued, ,“I wonder how can some films are so monotonous and don’t have enough tension. He said that in general , about films from many lands that he sees in Festivals across the world. “Make your film exciting,” he instructed the gathering. He mentioned that the issue of pace is subjective, and told an anecdote about the legendary Billy Wilder (Hollywood director) who said “Make your point and get off. Cut the film in three weeks and have a preview.”
The subject of prejudice against Iran was raised, when another reporter mentioned that lately a lot of films had made Iranians the villains. (e.g. “ARGO”)
Then Oliver Stone brought up his film “Alexander” 2004, (Iskandar) which was discussed in some journals as anti-Iranian. He clearly had a lot of historical knowledge about Alexander The Great’s exploits in Iran, and the historical battles with Emperor Darius. He told the audience that there have been several versions of this film, and that he had a lot of trouble with Warner Bros Studio’s very strong management. He said they had wanted a lot of things censored, – sex between males, and the violence cut down. “It was very limiting” said Mr Stone. “The only version to watch, the one that I supervised and love is available widely around the world, entitled “Alexander: The Ultimate Cut” which came out in 2014 as a fourth version.. It runs for 3 hours 26 minutes.” This DVD has sold over a million copies and came out ten years after the original studio version.
The next matter raised, was that the Israeli press had published negative stories about Mr Stone coming to Iran and printed some incorrect facts in the past, saying he had requested to interview Amedinejad. He assured the audience that this was totally false information. Israeli press also criticized him for visiting Iran for the Film Festival, criticism that he just ignored.
Someone asked which world crisis he felt would be interesting to make a film.
“That’s a giant subject,” he answered. Then continued to say that it would be better to work on this subject in documentary form, rather than feature film.
On making political films he mentioned that his film “W” which ended in 2004 when President George W Bush ( the subject of this feature film, “W”) invaded Iraq and therefore the movie suffered at the box office. Stone said that he loved the film for its satire. He explained a particular scene, showing President Bush and Dick Cheney, studying a map of the region. The Cheney dialog – “Our goals, (pointing to the oil rich Middle East nations and Iran). The prize is oil money. We’re going to Baghdad!”
When the President asks, what is our exit strategy? Mr Cheney replies, “There IS NO exit!”
Mr Stone admitted that it hurt him when the American Press criticized and slammed the film, which was predictable as American soldiers were at war with Iraq at the time.
“My timing sucked!” said the director.
He went on to say that ever since then (2004) the USA policy has been Regime Change. It has been a pattern since 2001 – 2018 for the Neo-Cons, a policy that works for them. It’s referred to as “Creative destruction. It’s a disgusting policy, ruining millions of lives, and continual tragedy is unfolding. It has been the same under Presidents Bush, Obama and now Trump. America will break any treaty. We are continuing to do this. The USA tore up the Anti-Ballistic Missile Treaty with Russia. For us, treaties are breakable! We lay waste to a region and we call it “peace””.
Mr Stone is openly appalled at the foreign policy of his own country.
Another audience member asked about whether he thought that when Iranian films win prizes in the outside world, (the “West”) it might be a political decision, rather than based on the values of the film. Mr Stone said that he couldn’t answer that question with any knowledge.” Maybe it’s because you have a great sense of life, having gone through a revolution,” he said.
He then praised the charm, warmth and softness of Iranians. He said one Iranian man told him that “We can be hard when we want to!”
A reporter from France asked about censorship in Iran, and requested comments , to which Mr Stone said that it restricts artistic freedom.’ Then he expanded by saying that there was almost no interest in his film “W” or “Snowden” in the USA, and that this too was a sort of censorship. However in France and Germany where 60% of people approved of what the real Edward Snowden had done ( he was a whistleblower about government activities in spying on citizens) it did well.
“In some countries censorship can sometimes be excessive, to protect national security. For film-makers dealing with a subject that is about that, film-makers must be very subtle – it’s the only way to get around the problem. In the USA when I cannot get the money to make a politically controversial film, they call it “Economic Constraints”, but actually it’s a kind of censorship working in advance. No studios wanted to go near “Snowden”. “They just don’t give you the damn money!” Mr Stone exclaimed.
There was some plain speaking from Oliver Stone. He made a special point of speaking again to the representative from the Agence France Presse to say that he had been very depressed by seeing on TV the previous evening, the young French President Macron, in cahoots with Trump on certain issues, and thought that it represented a return to the thinking of the French colonial era Imperialist attitudes. He said that Macron didn’t seem to have much sense of history. Mr Stone noted that his own mother was French. He definitely wanted his comments known in France, by taking this action.
Another questioner enquired as to whether Oliver Stone thought that was any chance of Iranian films penetrating the USA, and being widely seen there.
He answered, “No, because no other international cinemas have managed to do it yet either,” and mentioned China, and France as examples.
“Americans won’t watch sub-titles, and most of them do not travel abroad. However things are changing, through television where we have Netflix. Sometimes some hit TV series and films from France and England have been re-made in the USA”
My note: examples are “House of Cards” (based on a former, British series, which even more edgy). Also several French comedies by Francis Weber have been treated to the American re-make treatment in the past. Also the Swedish film, “The Girl With the Dragon Tattoo” was re-made with American setting, by David Fincher. This is about the limit of such international film-sharing. So, it is not very promising for Iranian films to hope to get wide viewing in the USA.
There was then a question on whether Mr Stone would like to make a film about the situation in Syria, and he said that he would never be able to get the funding for such a project, as an American. He also mentioned that he “looked to Saudi Arabia as the major destructor in the region.”
Someone said that he had once made statement that George W Bush was like John Wayne. Therefore, who would he compare Donald Trump to?
His answer coming quickly, was one word, “Beelzebub”. There was a bit of explanation for some who didn’t know that this name Beelzebub is associated with the Canaanite God Bal, and was later associated with the Devil.
As is by now very clear, the political nature of Oliver Stone’s previous work and political interests, plus the situation in this region of the world, and the strained relations between the USA and Iran, led to the majority of the questions at this press conference being political ones.
Next, an Iranian journalist wanted to know if he knew about the eight year Iran/Iraq war, and if he’d like to make a film about it. Hesaid, “no, not much at all, but that it was an interesting subject for an Iranian film.” He added, “You have to remember I am limited, and it is not possible at my age, and that it would be impossible to get the money for such a project because the USA was supporting Iraq at that time, when Iraq attacked Iran. (not necessarily for the actual attack). He said that if there were chemical weapons in Iraq, they got them from the USA. “The USA fights proxy wars” he said, looking very depressed and angry about this fact. As for his future work, he said he’d return to subjects in the USA.
The final question was about whether Oliver Stone thought that at rare times in the West, when Iranian films won prizes, ‘was it a political choice’, rather than based on the merit of the film. (Two Iranian films are in competition at the upcoming Cannes Film Festival, from Asghar Farhadi, a 2 time Oscar winner in Best Foreign Language Film category), and Jafar Panahi, a political activist who has been punished by the Iranian regime with strong restrictions on his life and professional activities.
Mr Stone answered, “Probably”. He didn’t elaborate further, but I got the impression that he thinks everything is political and there is usually a hidden agenda.
As the press conference, which had been very long, wrapped up, I looked at my list of questions, and regretted that I had not known about the list to put my name on, to ask a question, and also, perhaps I wasn’t important to be on that list anyway, as I am not from any major newspaper or news service.
My final note: For the record, I’d have liked to ask about the fascinating moment during his Putin Interviews, when he enthusiastically showed Mr Putin footage from the Stanley Kubrick film, “Dr Strangelove – or How I learned to stop worrying and love the bomb!” I had watched Mr Putin’s face carefully, and he did NOT seem to think this end of the world by nuclear war theme was any kind of laughing matter. (It isn’t either). Perhaps this extremely black satire/comedy just didn’t “travel” or perhaps he needed to watch the entire film. A scene out of context is not really fair.
Also, I wondered what Oliver Stone thought about the standard of the films emerging from Hollywood in recent years, where I see a depressing fall in the intelligence and quality. There are very few quality films, or good dramas on serious subjects emerging from the Studios anymore. Another of my questions, he had commented on during the conference, which was about whether he was intending to return to making feature films. He had already implied that he would. If he does so, then it will be a big relief to see some good work about serious subjects again, in my humble opinion.
Copyright, Cynthia Webb, Tehran, Iran
Photos by Cynthia Webb
Film Poster: Courtesy of the Producers, via IMDb
26 April, 2018