‘ETERNITE’ (France, 2016) directed by Tran Anh Hung Review by Cynthia Webb

ETERNITE poster
ETERNITE (2016) directed by Tran Anh Hung
From a novel by Alice Ferney, this story of a woman and her descendants in France during the early 1900s, this cannot be called “a movie”. It has great stillness, and the feeling is like looking through an old photo album, slowly turning the pages, and finding beautifully composed scenes of a wealthy and well-dressed family, in their lovely home or garden. Yes, it’s photographed in colour, with a sometimes slightly peculiar brassy golden light, by one of the great pones, Mark Lee Ping Bing. I’ve seen other films recently on which he worked as cinematographer (The Assassin, and Crosscurrent). On both his work was more beautiful than this.
The film has great credibility, directed by French-Vietnamese man, Tran Anh Hung who previously gave us some gorgeous cinematic experiences… “Scent of the Green Papaya” ((1993), “Cyclo” (1995), and “Norwegian Wood” (2010), all of which were better films than this one.
“Eternity” stars Audrey Tatou, Berenice Bejo, Melanie Laurent, Jeremie Renier, Pierre Deladonchamps, and Irene Jacob.
However they have almost no dialogue, and the viewing experience is mainly slow moving, meditative, and as mentioned, like looking back through old photos of lost times, lost people and their lives and loves. It is all centered around the women, and their children. They manage to have a lot of babies, and still look as gorgeous as they did on their wedding days. There is a brief hint of the first world war, as we see the matriarch’s twin sons in uniform, and later, she reads notes informing her of their deaths ( presumably) and cries beside filmy curtains at the window.
Even when dramatic things occur, it is handled with utter calm and the mood never varies much. We are kept on an even keel throughout, as uninvolved observers. We are never encouraged by the film-maker to identify with any of the characters, and obviously it is intention to make it a distant experience, but I wonder if it was wise.
Here we have a film about the journey of LIFE, (and death) and yet it is “life-less”.
Consequently it is rather hard-going. The music has been sourced from the classics, (a cheap alternative) and it is lovely music, but makes the experience rather flat and dull too. It’s mainly solo piano, or solo guitar, and there is one burst of dramatic orchestral music.
So for me the film was a disappointment, however some might enjoy it if you like to see pastoral scenes in the French countryside, lovely costumes and homes, beautiful people and perfect children.

copyright Cynthia Webb, April 2017

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About cynephilia

Lifetime student of and devourer of international Cinema. Artist, teacher, traveller - especially to my "other home", Java, Indonesia. Features writer for 14 years, for The Jakarta Post, national English language daily newspaper. I was born in New Zealand, but lived in Queensland, Australia since 1970. My profound link with Indonesia began in 1983, when visiting Bali (then an island of arts and of inspiration for an artist), and then again in 1994 when a visit to Yogyakarta, Java, began a process of that town and it's warm people becoming another home and extended family for me. Yogyakarta is the Artistic capital of Indonesia, and so it was the place for me. In 2000 I became a regular contributor about the arts for The Jakarta Post, and cinema, my lifetime passion, later began to become my focus for writing. The advent of The Asia Pacific Screen Awards, (APSA) in South East Queensland, launched in 2007 gave me opportunities to meet some the great film-makers of Asia, and see their amazing work. APSA is a kind of "Oscars" for the Asia-Pacific Region.
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